Robert Gordon - 'Can't Be Satisfied' Book Review (2002)

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Robert Gordon - 'Can't Be Satisfied' Book Review (2002)
Rev. Keith A. Gordon
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There are precious few cultural icons as important as McKinley Morganfield, better known to most people as Muddy Waters. A Mississippi Delta sharecropper working on the Stovall Plantation, the thirty-year-old Morganfield would travel to Chicago in 1943 to eventually become the musical link between Delta bluesmen like Charley Patton, Robert Johnson, and Son House and early blues-rockers like the Rolling Stones and the Yardbirds.

During the next forty years, Waters would find fame as a bandleader, singer, and guitarist, influencing a generation of blues and rock musicians while scrambling for every hard dollar he could pocket. Music journalist Robert Gordon, the author of the acclaimed It Came From Memphis, has written the definitive biography of the blues legend, Can't Be Satisfied.
Can't Be Satisfied: The Life and Times of Muddy Waters

Can't Be Satisfied is based on interviews conducted by Gordon with family and former Waters band members, and on four decades of published materials - from obscure manuscripts in university libraries to books, newspapers, and magazines and, of course, the music of Muddy Waters itself.

The resulting book is, perhaps, the most comprehensive music biography you'll read outside of Peter Guralnick's excellent books on Elvis Presley. Gordon finds Waters in the Mississippi cotton fields of his youth, recounting his formative years and early field recordings with Library of Congress historian Alan Lomax and Fisk University professor John Work.

We travel along with Waters when he first arrives in Chicago, the city already a booming blues town during the unpredictable World War II years. Waters' relationship with famed label magnate Leonard Chess is covered in detail, as are the studio sessions for Chess Records and the Aristocrat label that resulted in a number of late-1940s and early-1950s R&B chart hits for Waters.
The 1960s Folk-Blues Revival

After Waters' popularity waned with African-American record buyers more interested in soul records than in Delta-dirtied blues, Gordon takes us on the road to England and across the United States with Waters and his touring band. Throughout the 1960s and '70s, Waters played to a younger white, mostly middle class audience, influencing rockers like the Rolling Stones, who took their name from a Waters' song.

Gordon recounts the early-1960s folk era when Waters and contemporaries like Howlin' Wolf and Mississippi John Hurt were recast as "folk-blues" artists. Can't Be Satisfied winds down with Waters' late-1970s studio work with Johnny Winter and death in 1983 from cancer.
Muddy Waters: Warts and All....

Gordon writes in a fluid style, his enthusiasm sometimes getting the better of him when describing a certain song or performance. Brought up on the blues in Memphis, Gordon has an ear for the music and he brings a great deal of passion and empathy to his treatment of Waters. He offers up the blues legend with warts intact, covering Waters' frequent autocratic manner as bandleader, his considerable womanizing that would lead to numerous children, and his infrequent mean streak that would often cause band members to quit.

Gordon also does an admirable job in relating Waters' generosity, his love of family and sense of responsibility for his many children, and his creativity, which was never more than a few steps away from the Delta. More importantly, Gordon tells the story of the blues, the music's roots and importance, and he explains its influence on music today. The book's appendixes offer up a suggested discography and other historical minutiae, while Gordon's exhaustive notes bring Water's life into finer detail.
The Reverend's Bottom Line

Muddy Waters is an important figure in American music, not only for his own recordings, which would be more than enough to ensure his legacy, but also for the many talented musicians Waters brought into his band and launched into the spotlight. Little Walter, Otis Spann, Jimmy Reed, and James Cotton all got their start in Waters' bands, each contributing to Waters' reputation even while creating musical history with their own work.

Muddy Waters helped define the Chicago blues sound, putting the wheels in motion for much of what would follow in the music world, from blues and jazz to R&B and rock & roll. Waters' story is a phenomenal tale, expertly told by Robert Gordon in Can't Be Satisfied, an excellent book that should not be overlooked by anyone with more than a passing interest in blues or rock music. (Little, Brown)